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Georgia Hampton: Friends, hello,
and welcome to Never Post, a

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podcast for and about the
Internet. I am producer Georgia.

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This intro was written on
03/31/2026 at 03:50PM central

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time, and we have a litigious
show for you this week. In this

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episode, we're bringing back our
series Terms and Conditions,

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where we spend some time with
Internet related concepts,

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practices, and ideas to better
understand how they work and the

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context in which they exist.
Today, I am chatting with

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author, professor, and digital
piracy expert, Aram Synreich,

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about torrenting.

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Peer to peer file sharing isn't
new, nor are the ongoing legal

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controversies surrounding it.
But what is torrenting? Why does

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it have such a marred
reputation, and what is its role

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in our online lives? But first,
we're gonna take a quick break.

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You'll listen to some ads,
unless you're on the member

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feed.

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And when we return, we'll talk
about a few of the things that

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have happened since the last
time you heard from us. I have

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got six news items for you this
week. Firstly, in show news,

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we've been nominated for a Webby
award. Eagle eared listeners

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will remember that we won the
Webby for best podcast live

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00:01:41,295 --> 00:01:46,975
recording last year for our xoxo
fest live show in 2024. This

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year, we're up for best
individual episode in the news

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and politics category for Mike's
incredible episode titled AI and

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New American Fascism.

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If you'd like to vote for us, we
will include the link to do so

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in the show notes. Huzzah. The
Federal Communications

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Commission has banned all new
consumer based Internet routers

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made outside of The United
States. Importantly, the ban

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does not affect any foreign made
routers that are already being

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sold in The United States, nor
ones that already exist in

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American homes. But any new
foreign made models are banned,

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unless they can be approved by
the FCC and the Department of

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Defense and the Department of
Homeland Security.

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This comes as a result of
alleged national security

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concerns around these newer
models. With the FCC writing in

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a statement that, quote,
malicious actors have exploited

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security gaps in foreign made
routers to attack American

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households, disrupt networks,
enable espionage, and facilitate

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intellectual property theft. But
how real that threat actually is

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remains unclear. Virtually all
Internet routers sold in The

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United States are manufactured
at least in part overseas. And

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it is also unclear what elements
of manufacturing process fall

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under this ban.

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But as a spokesman from TP Link
told Wired, quote, it appears

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that the entire router industry
will be impacted, unquote. And

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that, invariably, includes us as
consumers. Hachette Book Group

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has pulled one of its latest
releases from shelves after

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suspecting that the novel was
written by AI. The book in

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question is Shy Girl, the debut
novel written, allegedly, by Mia

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Ballard. The book was first self
published in February 2025, and

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later picked up by Hachette in
the fall.

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The novel revolves around a
young woman who is forced to

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live as the pet of an abusive,
controlling man. And in some

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corners of the internet, this
shocking, brutal story was first

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celebrated as a kind of extreme
feminist horror. But over time,

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more and more readers started to
post online with theories that

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the story wasn't just badly
written, but the product of AI

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slop. Flash forward to March 19
when the New York Times broke

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the story that Hachette was both
canceling Shy Girls debut in The

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United States and removing it
from shelves in The UK because

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of widespread allegations of AI
use. Mia Ballard, for her part,

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has completely denied these
claims, telling the New York

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Times that it was actually her
editor who had used AI when

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working on the text.

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But Ballard did not elaborate on
how exactly this AI editing took

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place. A New Mexico jury found
Meta guilty guilty of misleading

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its consumers about the safety
of its platforms and enabling

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child endangerment. Now, Meta
owes $375,000,000 in civil

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penalties. That would be a story
worthy in and of itself, except

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that one day later, Meta was
back in court again, losing big

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time. In the second trial, Meta
and YouTube were found liable in

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creating addictive social media
platforms that endanger the

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emotional well-being of its
users.

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A young woman using the
pseudonym Kaylee sued both tech

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giants, blaming them for her
childhood social media

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addiction. Kaylee has now been
awarded $6,000,000 in damages.

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In response, Meta released a
statement saying that, quote,

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teen mental health is profoundly
complex and cannot be linked to

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a single app. We will continue
to defend ourselves vigorously

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as every case is different, and
we remain confident in our

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record of protecting teens
online. Sure.

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Totally for sure. Where have all
the doge bros gone? Turns out,

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they've gone viral. Earlier this
month, video footage from the

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deposition of former Department
of Government efficiency

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employees, Justin Fox and Nate
Kavanaugh, spread like wildfire

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across the social Internet. The
videos showed the two men

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admitting to using ChatGPT to
filter out grants based on words

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like black or homosexual, but
not terms like white or

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Caucasian.

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They also struggled to answer
simple questions about what

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exactly DEI even was. The videos
from these depositions were

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originally posted on YouTube and
shared across social platforms

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before a judge ruled that they
needed to be taken down out of

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concern for the safety of Fox,
Kavanaugh, and their families.

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This ruling was reversed a
little over two weeks later,

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citing the first amendment. But
what's most interesting was what

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happened in those two weeks.
Because, yes, the videos were

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taken down from YouTube.

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But it turned out that doing
that didn't really make a

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difference because they had
already been backed up online.

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Four zero four media reported
that only a single day after the

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videos were taken down, the
Internet Archive had already

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reuploaded a saved version of
the videos. Plus, both

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depositions had already been
saved another way. They had been

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torrented. Arrr.

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And speaking of torrenting, oh,
how far we have strayed from the

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days of Limewire. In a
surprising unanimous supreme

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court ruling, the internet
service provider Cox

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Communications was found not
liable for the illegal

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downloading and sharing of
copyrighted music done through

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its services. The case was
brought to court by dozens of

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major music companies who
claimed that Cox Communications

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hadn't done enough to
sufficiently stop its users from

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engaging in piracy. But as it
turns out, that wasn't enough to

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convince the court to put the
responsibility of this behavior

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on any given Internet provider.
Justice Clarence Thomas read

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aloud his opinion that, quote,
under our precedence, a company

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is not liable as a copyright
infringer for merely providing a

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service to the general public
with knowledge that it will be

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used by some to infringe
copyrights.

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Hahar, medicate. This is exactly
why the conversation you're

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about to hear felt so important
to share right now. Torrenting

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is one of those countless
Internet y things that gets

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talked about a lot, but at least
for me, was something that was

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never explained clearly enough
for me to feel like I really

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understood it. So for this
installment of terms and

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conditions, that is exactly what
we are going to try to do. So

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after the break, we'll talk
Torrenting.

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There's something you should
know up top. Out of the entire

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Never Post staff, I undeniably
know the least about Torrenting.

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Going into the research for this
episode, this is basically

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everything I knew. One,
Torrenting is a kind of

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decentralized file sharing done
through peer to peer networks.

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So stuff like the now defunct
platforms of Napster and

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Limewire.

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Two, it's how a lot of people I
know downloaded and watched

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movies. And three, once, my
friend got a cease and desist

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letter from DreamWorks because
she did not realize that the

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Torrent file for she's the man
that she was trying to download

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never stopped downloading for, I
kid you not, multiple years. But

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that's basically it. So this
episode of terms and conditions

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is partially for my own benefit.
Because as a kind of Internet

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journalist, it is ridiculous for
me not to know more about

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torrenting.

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And also, frankly, considering
the ongoing news about the

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topics of file sharing and
piracy, I don't really think I

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can afford to not know about
this. So to better understand

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torrenting as a practice and as
a concept within a broader

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cultural context, I brought in
Erem Sinreich. Erem is a media

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professor at American University
in the School of Communication.

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He's a musician and he's an
author. But the reason I knew he

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would be the best person to talk
about Torrenting is that he has

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spent decades covering
Torrenting and file sharing and

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piracy.

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Aram has written multiple books
about those topics, including

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The Secret Life of Data and The
Piracy Crusade. You'll hear the

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two of us talk more specifically
about The Piracy Crusade in a

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little bit. Suffice it to say, I
knew he would be the perfect

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person to help me understand the
basics of torrenting and to

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contextualize it in a culture
that has I mean, for my entire

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life, demonized peer to peer
file sharing as something as

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unforgivably illegal as stealing
a car. So I started out our

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conversation with a very simple
question. In the simplest

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technological terms, how does
torrenting work?

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Aram Sinnreich: So in order to
torrent, you have to first

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download a file that's like a
little pointer file. You don't

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you don't go onto the internet
and download an m p three. You

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download like a little like 100
k file that says, here's what

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the m p three looks like in a
bit torrenting network and some

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of the places you could go to
ask if anyone has one. And then

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you load that little file into a
BitTorrent client and then the

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BitTorrent client asks everyone
in the network, do you have this

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file? And then you get to
download it.

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So those websites where you
download the little Torrent file

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became social websites. And they
actually developed their this

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whole very well articulated
system of social credit where

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people would have like credit
scores, and those credit scores

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would then be interpreted
through the technology to say

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how much permission people had
to download how many files and

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how quickly. And people
developed reputations for being

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seeders rather than leechers,
That is people who are willing

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to upload as well as download.
And and all this kind of social

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language and these social
protocols emerged around this

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practice. But again, because it
wasn't built into the tech,

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people had to kind of build it
themselves.

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Georgia Hampton: I like that
there's this community component

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here. But I also have to imagine
that this process isn't one

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that's smooth every single time.
Right? Like, I have virtually no

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experience with torrenting, but
I do know that it comes with a

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certain set of risks. Obviously,
you have the possibility that

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the file you download is
actually a virus.

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There's also, like, legal
threats in the sense of

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downloading a movie might get
you unwanted attention from a

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giant movie studio or something.
So in that case, what are the

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best practices for torrenting?
What tools do you need?

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Aram Sinnreich: The number one
thing you need is to use a VPN

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because all of the litigation is
based on IP addresses. So you

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need to effectively mask your IP
address and you need a VPN that

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doesn't log your own online
traffic, make sure you have good

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antivirus. Scan everything that
you download. And then there are

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some BitTorrent trackers that
are laden down with malware and

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scammy porn ads and and sports
betting ads and stuff like that.

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And you want to kind of figure
out which ones those are and go

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to more altruistically oriented
BitTorrent trackers to download,

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you know, the little 100 k file.

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So so I would say like, look at
a blog like Torrent Freak, which

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has been out for a long time,
and get their advice about the

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best software to use, the best
websites to visit, the best VPNs

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to employ, and and practice data
hygiene.

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Georgia Hampton: I wanna shift
us to a more cultural context

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with Torrenting because it has,
I mean, it has a reputation, you

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know? Like, I synonymize
torrenting with piracy. So does

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torrenting always mean piracy?

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Aram Sinnreich: No. No. Of
course, it doesn't. In fact, the

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vast majority of torrenting has
nothing to do with so called

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piracy. These days, most if you
took a look at Internet traffic

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and you analyzed it, most of
what is classified as torrenting

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is really kind of back end
content management for big media

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companies.

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Georgia Hampton: Say more about
that. What does that mean?

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Aram Sinnreich: So the thing
that torrenting is really good

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at is taking big files and
breaking them up into super tiny

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pieces, and then spreading them
through the network and

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00:16:11,230 --> 00:16:14,355
reassembling them. And as it
turns out, companies like

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00:16:14,355 --> 00:16:19,075
Spotify and Netflix need that
kind of back end infrastructure

227
00:16:19,075 --> 00:16:22,435
in order to manage their huge
content libraries and move them

228
00:16:22,435 --> 00:16:25,795
seamlessly all around the world.
So in addition to kind of edge

229
00:16:25,795 --> 00:16:30,220
of network service, servers, and
peering arrangements, torrenting

230
00:16:30,220 --> 00:16:33,100
and similar technologies have
for the last fifteen years been

231
00:16:33,100 --> 00:16:35,420
an important part of that back
end.

232
00:16:35,580 --> 00:16:39,020
Georgia Hampton: I had no idea
that a place like Spotify uses

233
00:16:40,075 --> 00:16:41,115
torrenting.

234
00:16:41,675 --> 00:16:44,155
Aram Sinnreich: I think they
replaced it with a torrent like

235
00:16:44,155 --> 00:16:47,035
protocol a couple years back.

236
00:16:47,035 --> 00:16:47,675
Georgia Hampton: Okay.

237
00:16:47,675 --> 00:16:51,275
Aram Sinnreich: But they did use
torrenting for many years as so

238
00:16:51,275 --> 00:16:53,755
did Netflix, so did I think
YouTube, if I remember

239
00:16:53,755 --> 00:16:54,155
correctly.

240
00:16:54,540 --> 00:16:55,740
Georgia Hampton: How ironic.

241
00:16:56,060 --> 00:16:59,660
Aram Sinnreich: Yeah. It is. It
is. Even as they're all the

242
00:16:59,660 --> 00:17:02,540
Hollywood studios were were
demonizing it. It's funny, you

243
00:17:02,540 --> 00:17:05,020
know, one of the things I've
done over the years is I've been

244
00:17:05,020 --> 00:17:08,300
an expert witness on a bunch of
court cases about file sharing.

245
00:17:08,585 --> 00:17:12,665
Woah. Actually, first one was
Grokster, which went to the US

246
00:17:12,665 --> 00:17:14,425
Supreme Court back in 2003.

247
00:17:14,425 --> 00:17:15,305
Georgia Hampton: Oh my god.

248
00:17:15,465 --> 00:17:17,385
Aram Sinnreich: I know. Yeah.
Had I didn't know it was gonna

249
00:17:17,385 --> 00:17:19,785
go to the Supreme Court, you
know. Otherwise, I would have

250
00:17:19,785 --> 00:17:23,760
done a better job. But you know,
I still do I still do a fair

251
00:17:23,760 --> 00:17:26,640
amount of expert witnessing and
and Torrenting still comes up.

252
00:17:26,800 --> 00:17:30,560
And what you see, I can't reveal
the details of any of these

253
00:17:30,560 --> 00:17:33,520
cases because a lot of it is
under seal. But generally

254
00:17:33,520 --> 00:17:37,295
speaking, the arguments that you
see the plaintiffs make in these

255
00:17:37,295 --> 00:17:42,655
cases is, we looked at this
traffic analysis and it said 7%

256
00:17:42,655 --> 00:17:45,775
of all internet traffic is
BitTorrent. Therefore, it's a

257
00:17:45,775 --> 00:17:50,470
massive piracy problem. And then
my job is to say, actually, out

258
00:17:50,470 --> 00:17:55,750
of that 7%, you know, 6.85% is
like back end systems for the

259
00:17:55,750 --> 00:17:59,270
Spotify's of the world. And that
remaining point one five

260
00:17:59,590 --> 00:18:02,630
consists of all kinds of other
stuff of which music is only

261
00:18:02,630 --> 00:18:04,175
this teensy little piece.

262
00:18:04,175 --> 00:18:07,615
So like, you know, don't get
like too exercised about it.

263
00:18:07,615 --> 00:18:10,415
This is actually a tiny tiny
problem, not a huge huge

264
00:18:10,415 --> 00:18:11,055
problem.

265
00:18:11,375 --> 00:18:15,295
Georgia Hampton: That's that
seems so different than my,

266
00:18:15,295 --> 00:18:18,610
like, layperson understanding of
what that means, what that

267
00:18:18,610 --> 00:18:24,530
practice is. And I'm curious
kind of why that is. Like, if if

268
00:18:24,530 --> 00:18:27,410
torrenting isn't always piracy,
and if anything, like you just

269
00:18:27,410 --> 00:18:30,770
said, it kind of often really
isn't at all, and is used by

270
00:18:30,770 --> 00:18:34,755
these massive companies that
would otherwise, you know, take

271
00:18:34,755 --> 00:18:39,235
legal action against something
like torrenting as piracy. How

272
00:18:39,235 --> 00:18:45,840
did torrenting come to be
defined by its use circumventing

273
00:18:45,840 --> 00:18:48,240
access and copyright
restrictions? Like, how did it

274
00:18:48,240 --> 00:18:52,160
become synonymous, at least from
my perspective, with a kind of

275
00:18:52,160 --> 00:18:52,880
piracy?

276
00:18:53,440 --> 00:18:56,400
Aram Sinnreich: There was a
sustained public relations

277
00:18:56,400 --> 00:19:00,385
campaign undertaken mostly by
the music industry from 2003 to

278
00:19:00,385 --> 00:19:04,305
2008, which resulted in a
massive change of the framing of

279
00:19:04,305 --> 00:19:07,425
this technology in mainstream
media. And that framing has

280
00:19:07,425 --> 00:19:08,865
stuck with us ever since.

281
00:19:09,265 --> 00:19:12,065
Georgia Hampton: So this
dovetails very nicely into

282
00:19:12,840 --> 00:19:16,000
something I know you've written
about, which is this notion of

283
00:19:17,480 --> 00:19:22,040
this legal affront on piracy and
on, I guess, torrenting in in

284
00:19:22,040 --> 00:19:27,365
some capacity as part of that as
a kind of crusade. Why why is

285
00:19:27,365 --> 00:19:29,285
the term crusade so apt?

286
00:19:29,685 --> 00:19:32,885
Aram Sinnreich: So so the fight
against torrenting by media

287
00:19:32,885 --> 00:19:37,205
industries, it kind of puts this
moralistic screen on what's

288
00:19:37,205 --> 00:19:40,740
really a form of economic self
interest and and short term

289
00:19:40,740 --> 00:19:43,860
economic self interest that
doesn't really pay attention to

290
00:19:43,860 --> 00:19:47,060
the kind of knock on
consequences of waging the war

291
00:19:47,060 --> 00:19:51,585
itself. And in my book, The
Piracy Crusade, I squander a lot

292
00:19:51,585 --> 00:19:54,865
of ink talking about all of
those knock on consequences and

293
00:19:54,865 --> 00:19:57,985
the way that they in in
unexpected ways come back to

294
00:19:57,985 --> 00:19:59,825
bite the industry in the butt.

295
00:19:59,825 --> 00:20:01,105
Georgia Hampton: Yeah. I'm
curious to hear a little bit

296
00:20:01,105 --> 00:20:04,705
more about that because I was
very interested to see in the

297
00:20:04,705 --> 00:20:08,190
introduction of your book, how
you specifically say that this

298
00:20:08,190 --> 00:20:11,950
is a short term solution and
that it doesn't actually protect

299
00:20:11,950 --> 00:20:17,150
the long term interests of these
so called crusaders or the

300
00:20:17,150 --> 00:20:21,470
government that serves as their
allies. So so why is that?

301
00:20:21,965 --> 00:20:24,205
Aram Sinnreich: I mean, you have
to remember the context in which

302
00:20:24,205 --> 00:20:28,445
peer to peer file sharing first
emerged in The US and elsewhere.

303
00:20:28,445 --> 00:20:33,325
You know, flash all the way back
pre BitTorrent to 1999 when this

304
00:20:33,325 --> 00:20:37,460
thing called Napster comes out.
Some kid in his college dorm

305
00:20:37,460 --> 00:20:40,740
named Sean Fanning invented this
little piece of software that

306
00:20:40,740 --> 00:20:44,980
allowed anybody who had access
to it to freely share all of

307
00:20:44,980 --> 00:20:47,940
their m p threes with anybody
else on the internet and to

308
00:20:47,940 --> 00:20:51,745
download all of the m p threes
from everyone else. Prior to

309
00:20:51,745 --> 00:20:56,945
that time, in like May 1999, the
music industry estimated that

310
00:20:56,945 --> 00:21:00,305
there were half a million m p
threes on the entire Internet.

311
00:21:00,545 --> 00:21:05,630
And and then June, Napster comes
out and by like August, there

312
00:21:05,630 --> 00:21:09,710
are billions of m p threes being
transacted every day among tens

313
00:21:09,710 --> 00:21:12,190
of millions of active users of
this platform.

314
00:21:12,270 --> 00:21:12,990
Georgia Hampton: Wow.

315
00:21:12,990 --> 00:21:15,070
Aram Sinnreich: Modernity was
born that day. Like the world

316
00:21:15,070 --> 00:21:21,085
that we now live in was was born
in June 1999. Now, at the time,

317
00:21:21,165 --> 00:21:25,965
I was a music industry and
Internet industry analyst. And

318
00:21:25,965 --> 00:21:28,525
along with a bunch of other of
my contemporaries, we were

319
00:21:28,525 --> 00:21:32,445
arguing that because of the
Internet and because of digital

320
00:21:32,445 --> 00:21:38,530
technology and the kind of low
cost of storage, the future of

321
00:21:38,530 --> 00:21:41,810
media wasn't going to be the
kind of like pay for access to a

322
00:21:41,810 --> 00:21:43,890
single thing model that we've
seen during the twentieth

323
00:21:43,890 --> 00:21:47,170
century where you walked up to a
store and you gave them $20 and

324
00:21:47,170 --> 00:21:50,185
they gave you a CD with 12 songs
on it, And then you went back

325
00:21:50,185 --> 00:21:54,265
the next time your allowance was
topped up. But that now, the

326
00:21:54,265 --> 00:21:57,065
problem was that there was so
much abundance of information

327
00:21:57,465 --> 00:22:01,705
that the business model had to
be prioritizing this song or

328
00:22:01,705 --> 00:22:04,505
this movie over all of the other
millions of ones that someone

329
00:22:04,505 --> 00:22:05,650
could have access to.

330
00:22:05,810 --> 00:22:08,130
And that meant you were
switching to a model that we now

331
00:22:08,130 --> 00:22:12,210
think of as the streaming model.
And I was an early and, you

332
00:22:12,610 --> 00:22:17,330
know, loud advocate for that
model. So I did some research,

333
00:22:17,730 --> 00:22:24,175
big survey at the time, and I
found out that by the 2000,

334
00:22:24,495 --> 00:22:27,535
people who'd been using Napster
were actually buying more music

335
00:22:27,535 --> 00:22:30,815
than the people who weren't
using Napster. Even if you

336
00:22:30,815 --> 00:22:33,535
controlled for like how much
money they made, how much music

337
00:22:33,535 --> 00:22:36,880
they bought in the past, Like
every other factor, people who

338
00:22:36,880 --> 00:22:40,240
are demographically identical to
each other, if they were using

339
00:22:40,240 --> 00:22:42,880
Napster, they were like half
again as likely to have

340
00:22:42,880 --> 00:22:45,200
increased the amount of money
they spent on music in the last

341
00:22:45,200 --> 00:22:48,095
year. So people were like
actually discovering and

342
00:22:48,095 --> 00:22:48,975
learning about it.

343
00:22:49,455 --> 00:22:53,055
And I I went running to my
record label clients and I was

344
00:22:53,055 --> 00:22:56,255
like, you guys, the best thing
in the world just happened.

345
00:22:56,255 --> 00:22:59,570
Like, I know that you've got
record revenues now, but you're

346
00:22:59,570 --> 00:23:04,130
about to grow your revenues by
50% just by licensing to this

347
00:23:04,130 --> 00:23:08,370
cool new platform. And they
literally, not only stopped

348
00:23:08,370 --> 00:23:12,530
being my clients more or less
overnight, but issued a press

349
00:23:12,530 --> 00:23:17,685
release about how I was full of
shit and and I was I was not to

350
00:23:17,685 --> 00:23:18,325
be listened to.

351
00:23:18,325 --> 00:23:20,245
Georgia Hampton: Oh. Oh, yeah.
Oh my god.

352
00:23:20,245 --> 00:23:22,485
Aram Sinnreich: Yeah. Like a
smear a genuine smear campaign.

353
00:23:22,485 --> 00:23:26,165
The first of several that I've
experienced at the hands of the

354
00:23:26,165 --> 00:23:30,450
music industry over the years.
Yeah. And then this interesting

355
00:23:30,450 --> 00:23:34,370
thing happens where all of these
people at the record labels

356
00:23:34,370 --> 00:23:37,490
would call me up or or meet me
for lunch or whatever and be

357
00:23:37,490 --> 00:23:38,370
like, you know what?

358
00:23:38,370 --> 00:23:41,965
You're a 100% right. I wish
you'd come in and tell like the

359
00:23:41,965 --> 00:23:44,525
higher ups in my organization
what's going on because they

360
00:23:44,525 --> 00:23:45,565
don't understand it.

361
00:23:45,725 --> 00:23:48,845
Georgia Hampton: So let me get
this straight. The short term

362
00:23:49,885 --> 00:23:54,445
reaction by these like bigwigs
in, I mean, the music industry,

363
00:23:54,445 --> 00:23:56,445
but also it sounds like in
Hollywood and all these

364
00:23:56,445 --> 00:23:59,620
entertainment industries, is
basically just a financial one

365
00:23:59,620 --> 00:24:04,420
of being like, we can make so
much money by suing these

366
00:24:04,420 --> 00:24:07,060
people. Like, we don't care
about this model.

367
00:24:07,300 --> 00:24:09,620
Aram Sinnreich: Right. And damn
the future. Like, what what why

368
00:24:09,620 --> 00:24:11,700
license and make a little when
you can sue and make a lot?

369
00:24:11,685 --> 00:24:15,045
There was so much pressure on
companies to show massive

370
00:24:15,045 --> 00:24:19,685
quarterly growth that they were
strategically compelled almost

371
00:24:19,685 --> 00:24:23,605
by through fiduciary duty in the
case of the public companies to

372
00:24:23,605 --> 00:24:28,510
do whatever it took to just
boost those numbers. And like,

373
00:24:28,510 --> 00:24:30,510
we'll worry about the future
when the future comes.

374
00:24:30,510 --> 00:24:32,990
Georgia Hampton: Well, mean,
then the future came, especially

375
00:24:32,990 --> 00:24:36,830
with streaming. Because I mean,
now that's the standard.

376
00:24:37,150 --> 00:24:39,310
Aram Sinnreich: It took a
decade. Right? A decade during

377
00:24:39,310 --> 00:24:41,870
which the the music industry as
we were talking about before,

378
00:24:42,225 --> 00:24:47,265
spent its resources demonizing
technology rather than embracing

379
00:24:47,265 --> 00:24:50,465
it. But the real change didn't
happen until Spotify came to The

380
00:24:50,465 --> 00:24:56,145
US and integrated with Facebook
in 2011. So reintegrating that

381
00:24:56,145 --> 00:24:59,080
social function back into the
tech, which had been missing

382
00:24:59,080 --> 00:25:01,480
since Napster had been sued and
shut down.

383
00:25:01,960 --> 00:25:04,440
Because the the tech that
replaced it, which was mostly

384
00:25:04,440 --> 00:25:08,680
Torrenting, was decentralized
and didn't have a social

385
00:25:08,680 --> 00:25:10,440
component in it. It was much
more utilitarian.

386
00:25:10,855 --> 00:25:14,135
Georgia Hampton: I mean, it
again, as an as a outside

387
00:25:14,135 --> 00:25:18,055
observer, it certainly seemed
like torrenting was sort of,

388
00:25:18,055 --> 00:25:22,135
yeah, the work of an individual
person for individual needs or

389
00:25:22,135 --> 00:25:22,855
desires.

390
00:25:23,095 --> 00:25:27,020
Aram Sinnreich: Well, when it's
used for that function, yes, to

391
00:25:27,020 --> 00:25:31,820
a certain extent. There is a
social para network surrounding

392
00:25:31,820 --> 00:25:36,300
torrenting that was not imminent
to the technology itself, but

393
00:25:36,300 --> 00:25:39,420
that people built around it
because people like to be

394
00:25:39,420 --> 00:25:39,660
social.

395
00:25:40,035 --> 00:25:41,635
Georgia Hampton: Right. Like
sort of what you mentioned

396
00:25:41,635 --> 00:25:47,795
earlier. This self created
system that also has this very

397
00:25:47,795 --> 00:25:53,240
communal component. Like, it's a
a practice that is, I mean, very

398
00:25:53,240 --> 00:25:56,840
trusting, like one based on
trust.

399
00:25:56,840 --> 00:25:58,520
Aram Sinnreich: Yeah. That's a
good way to put it. Right?

400
00:25:58,520 --> 00:26:02,760
Mutuality, reciprocity, and
trust in so far as you don't

401
00:26:02,760 --> 00:26:05,960
think you're downloading a spoof
file or a piece of malware are

402
00:26:05,960 --> 00:26:10,555
integral to it. And and also all
of those, like like all human

403
00:26:10,555 --> 00:26:13,675
systems of trust, and
interdependence, it it got

404
00:26:13,675 --> 00:26:15,675
exploited by all kinds of bad
actors.

405
00:26:15,995 --> 00:26:19,595
Right? So BitTorrent has been
used to seed malware, which

406
00:26:19,595 --> 00:26:23,770
create botnets and are used for
denial distributed denial of

407
00:26:23,770 --> 00:26:26,570
service attacks, you know,
basically since day one.

408
00:26:26,570 --> 00:26:30,970
Georgia Hampton: I mean, it it
seems like such a to use, I feel

409
00:26:30,970 --> 00:26:35,210
like, the often used way of
codifying things, like a true

410
00:26:35,210 --> 00:26:40,045
neutral tool. And that you can
use it for these sort of

411
00:26:40,045 --> 00:26:46,845
beautiful free access
egalitarian desires, and then

412
00:26:46,845 --> 00:26:50,990
also can be used kind of quite
literally as, like, a almost

413
00:26:50,990 --> 00:26:57,230
like state sanctioned, like,
cultural Terrorism? Assault.

414
00:26:57,230 --> 00:26:58,670
Yeah. Terrorism.

415
00:26:58,990 --> 00:27:01,150
Aram Sinnreich: Yeah. Yeah. Both
of those things are true.

416
00:27:01,150 --> 00:27:05,925
There's so many reasons why
people, you know hold a knife or

417
00:27:05,925 --> 00:27:07,605
drive a car. Right?

418
00:27:07,605 --> 00:27:11,205
It's a piece of technology that
has many uses. We haven't even

419
00:27:11,205 --> 00:27:14,245
begun to plumb the depths of the
kind of altruistic functions of

420
00:27:14,245 --> 00:27:18,660
it. You know there are all these
people and institutions that

421
00:27:18,660 --> 00:27:23,700
began using BitTorrent as a kind
of, distributed archival system.

422
00:27:24,500 --> 00:27:29,140
So that, you know, if if, Amazon
Web Services went down or

423
00:27:29,140 --> 00:27:32,005
somebody's hard drive crashed,
all of their valuable content

424
00:27:32,005 --> 00:27:34,565
wouldn't be lost. It would be
distributed throughout the cloud

425
00:27:34,565 --> 00:27:35,685
using BitTorrent.

426
00:27:36,085 --> 00:27:39,605
So there's a ton of public
domain stuff. Know, the bible is

427
00:27:39,605 --> 00:27:43,605
on BitTorrent and, you know,
silent films are on BitTorrent

428
00:27:43,605 --> 00:27:46,780
and, you know, all all this, you
know, government websites and

429
00:27:46,780 --> 00:27:50,940
and government archives are on
BitTorrent just to keep them

430
00:27:50,940 --> 00:27:55,180
because some altruistically
oriented person decided that

431
00:27:55,180 --> 00:27:57,900
that would be a safer place to
store it than in one in one

432
00:27:57,900 --> 00:27:58,460
spot.

433
00:27:58,460 --> 00:28:00,700
Georgia Hampton: I mean, and
then you kind of also touch on

434
00:28:01,255 --> 00:28:07,735
the now contemporary troubles
with streaming and very much

435
00:28:07,735 --> 00:28:10,615
platforms owning and
distributing this content, which

436
00:28:10,615 --> 00:28:15,080
is, you know, the movie that you
love Netflix right now, they can

437
00:28:15,080 --> 00:28:17,560
decide to just take it down and
now it doesn't exist.

438
00:28:17,640 --> 00:28:20,200
Aram Sinnreich: Well, it doesn't
exist on Netflix. It's still on

439
00:28:20,200 --> 00:28:23,800
BitTorrent. And, you know, I'm
not gonna lie. There are times

440
00:28:23,800 --> 00:28:28,485
where, you know, I lost access
to streaming media that I had

441
00:28:28,485 --> 00:28:32,565
paid for access to, and I
resorted to BitTorrent to find

442
00:28:32,565 --> 00:28:35,925
it because it wasn't available
anywhere else. But morally, I

443
00:28:35,925 --> 00:28:37,765
feel absolutely fine about it.

444
00:28:38,005 --> 00:28:41,330
Georgia Hampton: Why do you feel
that way? Like, why why not feel

445
00:28:41,330 --> 00:28:46,450
dissuaded by the technical
illegality of of torrenting?

446
00:28:46,450 --> 00:28:48,450
Aram Sinnreich: Well, am
dissuaded by the technical

447
00:28:48,450 --> 00:28:52,850
illegality because if somebody
identified my IP address with

448
00:28:52,850 --> 00:28:56,745
that Torrent, I could be sued.
And I'd probably have to settle

449
00:28:56,745 --> 00:28:59,225
for a couple thousand dollars,
which is what usually happens

450
00:28:59,225 --> 00:29:01,465
when the hundreds of thousands
of people who have been caught

451
00:29:01,465 --> 00:29:04,985
like that get sued. But also,
this is a movie that to your

452
00:29:04,985 --> 00:29:09,470
point had been removed from
streaming and download services

453
00:29:09,870 --> 00:29:14,270
perfuncturally without my
knowledge, without without

454
00:29:14,270 --> 00:29:18,030
taking the interest of consumers
or the interest of the our

455
00:29:18,030 --> 00:29:23,685
cultural legacy to heart. And I
felt that whoever is

456
00:29:23,685 --> 00:29:27,205
distributing this film via
BitTorrent is doing a mitzvah

457
00:29:27,205 --> 00:29:30,405
because they're keeping the film
in the public eye.

458
00:29:30,485 --> 00:29:32,885
Georgia Hampton: I know you've
written in the Piracy Crusade

459
00:29:32,885 --> 00:29:36,325
about kind of the extremely high
stakes of this. I mean, you

460
00:29:36,650 --> 00:29:40,330
you've written about how it
affects, like, democratic

461
00:29:40,330 --> 00:29:44,490
institutions. So how does
something like piracy or

462
00:29:44,490 --> 00:29:52,335
torrenting affect something as
enormous as literally democracy?

463
00:29:53,135 --> 00:29:56,575
Aram Sinnreich: I think the the
most important way to answer it

464
00:29:56,575 --> 00:30:00,895
is to think about what is the
collateral damage in these

465
00:30:00,895 --> 00:30:05,710
battles. Sharing information is
part of how we exert power,

466
00:30:05,710 --> 00:30:08,430
especially in a democratic
society. Right? That's why The

467
00:30:08,430 --> 00:30:14,270
US has a first amendment. So
that battle always becomes

468
00:30:14,590 --> 00:30:18,830
especially pitched at moments of
technological, ecological

469
00:30:18,830 --> 00:30:19,230
change.

470
00:30:20,355 --> 00:30:25,715
When it's possible for people
and institutions that have been

471
00:30:25,715 --> 00:30:31,475
constrained to exert to have
newfound powers, and it's

472
00:30:31,475 --> 00:30:35,300
possible for institutions that
have been powerful to become

473
00:30:35,300 --> 00:30:40,500
even more powerful. If you look
at the technologies that have

474
00:30:40,500 --> 00:30:44,980
been put into place to limit
consumer access to information,

475
00:30:45,555 --> 00:30:48,915
And if you look at the policies
that have been put in place to

476
00:30:48,915 --> 00:30:53,315
reify those technologies and
support them, they tend to be

477
00:30:53,315 --> 00:30:57,555
very censorious and
surveillance. And censorship and

478
00:30:57,555 --> 00:31:01,140
surveillance are anathema to a
healthy democracy. In a free

479
00:31:01,140 --> 00:31:04,900
society, torrenting and similar
technologies are tolerated

480
00:31:04,900 --> 00:31:09,300
because the cost of policing
them is not worth the benefits.

481
00:31:09,460 --> 00:31:12,660
Georgia Hampton: And the
benefits are cultural, societal?

482
00:31:13,115 --> 00:31:15,595
Aram Sinnreich: Well, I I guess
what I'm saying is the cost to

483
00:31:15,595 --> 00:31:19,115
society of policing them is not
worth the benefits to society of

484
00:31:19,115 --> 00:31:21,435
policing them. I'm not
pretending that torrenting is

485
00:31:21,435 --> 00:31:26,330
like an unalloyed benefit to the
world. Right? It has upsides. It

486
00:31:26,330 --> 00:31:27,130
has downsides.

487
00:31:27,130 --> 00:31:31,050
It helps the industry. It hurts
the industry. It's complex. But

488
00:31:31,370 --> 00:31:36,410
the question is, what are we
willing to At what price are we

489
00:31:36,410 --> 00:31:40,615
willing to stop this technology
and this behavior? And if the

490
00:31:40,615 --> 00:31:43,815
price is surveilling the whole
internet and creating these

491
00:31:43,815 --> 00:31:48,135
systems of electronic gates that
prevent different people from

492
00:31:48,135 --> 00:31:50,695
spreading and accessing
different kinds of information,

493
00:31:51,335 --> 00:31:55,230
right, to me, the cost of
putting that in place is so

494
00:31:55,230 --> 00:31:58,350
great that it's not worth
whatever benefits accrue from

495
00:31:58,350 --> 00:31:59,310
putting it in place.

496
00:31:59,310 --> 00:32:03,470
Georgia Hampton: But it does
feel like piracy is is part of I

497
00:32:03,470 --> 00:32:08,745
mean, is a political
conversation. And I'm curious

498
00:32:10,105 --> 00:32:16,905
what your thoughts are for,
like, the near future of piracy

499
00:32:16,905 --> 00:32:21,750
and torrenting, especially at a
time when a lot of corporate

500
00:32:21,750 --> 00:32:25,750
media is being consolidated and
turned into these just like

501
00:32:25,750 --> 00:32:28,870
enormous monopolies.

502
00:32:29,030 --> 00:32:31,990
Aram Sinnreich: I think most
politics are small p politics,

503
00:32:31,990 --> 00:32:35,255
not big p politics. And most
people who are engaging in

504
00:32:35,255 --> 00:32:40,215
political activities don't
conceptualize it as such. Right?

505
00:32:40,295 --> 00:32:44,455
I think most of people
torrenting and and most of

506
00:32:44,455 --> 00:32:50,880
people, you know, secure online
platforms are not really

507
00:32:50,880 --> 00:32:55,120
thinking about the kind of
larger picture so much as

508
00:32:55,120 --> 00:32:58,800
they're just trying to live
their lives and be free. And

509
00:32:58,800 --> 00:33:01,135
they want they want to watch
what they want to watch.

510
00:33:01,135 --> 00:33:03,695
They want to listen to what they
want to listen to. They want to

511
00:33:03,695 --> 00:33:07,775
associate with people though,
you know, freely and to

512
00:33:07,775 --> 00:33:10,335
participate and to feel like
meaningful participants in the

513
00:33:10,335 --> 00:33:13,710
public conversation. And all of
that is political, but it's not

514
00:33:13,710 --> 00:33:16,110
framed politically. And it
doesn't need to be framed

515
00:33:16,110 --> 00:33:21,630
politically for people to to
feel that reflexively. So I I

516
00:33:21,630 --> 00:33:25,790
think that that we are at a
moment as you point out of such

517
00:33:25,485 --> 00:33:31,485
extreme media consolidation and
monochromatic overdetermination

518
00:33:31,485 --> 00:33:34,925
of the public sphere that there
will be increasing popular

519
00:33:34,925 --> 00:33:39,245
resistance to that, and that
decentralized systems like

520
00:33:39,520 --> 00:33:41,040
BitTorrent will play a role in
that.

521
00:33:41,040 --> 00:33:48,160
I also think that The US is busy
squandering every last shred of

522
00:33:48,160 --> 00:33:52,240
goodwill it's ever had around
the world. And because of that,

523
00:33:52,240 --> 00:33:56,285
there is going to be an
increasing interest, big big p

524
00:33:56,285 --> 00:34:00,205
politically, from foreign
governments and corporations,

525
00:34:00,685 --> 00:34:05,965
not to mention general citizenry
in how do we get big tech out of

526
00:34:05,965 --> 00:34:08,685
our lives and especially
American big tech out of our

527
00:34:08,685 --> 00:34:12,570
lives. And platforms like
BitTorrent are gonna be part of

528
00:34:12,570 --> 00:34:13,370
that as well.

529
00:34:13,370 --> 00:34:15,770
Georgia Hampton: I was gonna say
it. In a world of big tech, it

530
00:34:15,770 --> 00:34:19,050
feels at least to me like
something like BitTorrent is

531
00:34:19,050 --> 00:34:25,365
like little tech or like
accessible for everybody tech?

532
00:34:25,525 --> 00:34:27,685
Aram Sinnreich: Very much. At
some point soon, I think we're

533
00:34:27,685 --> 00:34:33,685
gonna see a real breakout kind
of popularly embraced unlicensed

534
00:34:33,685 --> 00:34:37,520
streaming service that that has
BitTorrent on the back end. And

535
00:34:37,520 --> 00:34:40,640
then history will repeat itself.
There'll be a moral panic about

536
00:34:40,640 --> 00:34:45,680
it, and there'll be lawsuits,
and maybe I'll have to testify

537
00:34:45,680 --> 00:34:51,440
before the supreme court again.
And, you know, the cycle

538
00:34:51,440 --> 00:34:52,000
continues.

539
00:34:52,755 --> 00:34:56,515
Georgia Hampton: Well, in that
case, as someone who has watched

540
00:34:56,515 --> 00:35:01,155
this cycle already happen, if
someone was just going to start

541
00:35:01,155 --> 00:35:05,315
getting into torrenting right
now, what advice would you give

542
00:35:05,315 --> 00:35:05,715
them?

543
00:35:05,715 --> 00:35:07,875
Aram Sinnreich: I would say,
first of all, you need a good

544
00:35:07,875 --> 00:35:10,810
reason. Streaming, especially
music streaming, has now become

545
00:35:10,810 --> 00:35:14,890
like a commoditized kind of add
on for other kinds of online

546
00:35:14,890 --> 00:35:19,210
service relationships. So so if
you have free streaming, you you

547
00:35:19,210 --> 00:35:22,395
know, unless you want that,
like, documentary that you can't

548
00:35:22,395 --> 00:35:25,515
find anywhere else, there's not
a really good reason to use

549
00:35:25,675 --> 00:35:28,715
BitTorrent at this point for
those kinds of functions. And

550
00:35:28,715 --> 00:35:31,275
you have to balance your
tolerance like, what's my

551
00:35:31,275 --> 00:35:34,155
tolerance for advertising?
What's my tolerance for

552
00:35:34,155 --> 00:35:37,435
Melania's face versus my
tolerance for like malware?

553
00:35:37,830 --> 00:35:42,310
Right now in this current
environment, adding BitTorrent

554
00:35:42,310 --> 00:35:46,710
to your life increases your
threat surface meaningfully. So

555
00:35:46,710 --> 00:35:49,750
if you're concerned about the
integrity of your laptop, your

556
00:35:49,750 --> 00:35:54,285
phone, and if you're keeping
sensitive files on it, you might

557
00:35:54,285 --> 00:35:59,565
not want to open that window.
And and even if you do, be aware

558
00:35:59,565 --> 00:36:03,325
that you are undertaking a level
of risk that you might not be

559
00:36:03,325 --> 00:36:08,260
tolerant for. There is not a
safe version of BitTorrent.

560
00:36:08,260 --> 00:36:10,820
There are only safer ways of
approaching it.

561
00:36:27,995 --> 00:36:31,275
Georgia Hampton: That is the
news we have for you this week.

562
00:36:31,355 --> 00:36:35,250
We'll be back here in the main
feed next week on or around

563
00:36:35,250 --> 00:36:41,410
April 9. I want to say a huge,
huge thank you to Erem Syndreich

564
00:36:41,410 --> 00:36:45,730
for talking with me about the
ins and outs of Torrenting along

565
00:36:45,730 --> 00:36:49,265
with its history within culture.
If you wanna learn more about

566
00:36:49,265 --> 00:36:53,105
him and find more of his work,
head on over to his website,

567
00:36:53,185 --> 00:36:57,985
synreich.com. And thank you for
listening.

568
00:36:58,545 --> 00:37:04,460
What could $4 get you nowadays?
Well, at the food co op in my

569
00:37:04,460 --> 00:37:09,980
neighborhood, you could buy
exactly one single vegan

570
00:37:09,980 --> 00:37:15,435
chocolate chip cookie, or you
could get an entire month of

571
00:37:15,435 --> 00:37:19,915
membership to Never Post's bonus
content, and in the process,

572
00:37:20,155 --> 00:37:24,235
help your favorite Internet
theorists and critics keep this

573
00:37:24,235 --> 00:37:29,030
beautiful show a rolling. If you
know us, you love us, and you

574
00:37:29,030 --> 00:37:34,070
wanna support us, head over to
neverpo.st and become a member.

575
00:37:35,990 --> 00:37:39,830
Never Post's producers are
Audrey Evans, me, Georgia

576
00:37:39,830 --> 00:37:43,335
Hampton, and the mysterious
doctor first name, last name.

577
00:37:43,415 --> 00:37:45,895
Our senior producer is Hans
Buto.

578
00:37:45,975 --> 00:37:50,535
Our executive producer is Jason
Oberholzer. The show's host is

579
00:37:50,535 --> 00:37:57,920
Mike Rugnetta. I improvised. I
never remembered. Now it's your

580
00:37:57,920 --> 00:37:59,040
turn to be driven.

581
00:37:59,440 --> 00:38:04,240
You're the one who demands to
know. Why do I suffer? Why am I

582
00:38:04,240 --> 00:38:10,015
ignorant? Cells in a great
darkness. Some machine made us.

583
00:38:10,335 --> 00:38:15,615
It is your turn to address it,
to go back asking, what am I

584
00:38:15,615 --> 00:38:22,575
for? What am I for? Excerpt from
Mother and Child by Louise

585
00:38:22,575 --> 00:38:27,107
Gluck. Never Post is a
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586
00:38:27,107 --> 00:38:29,747
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