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Anne Strainchamps: Welcome to Wonder Cabinet.

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Anne Strainchamps: I'm Anne Strainchamps.

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Steve Paulson: And I'm Steve Paulson.

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Anne Strainchamps: And we are so excited to welcome you to the first episode of our new podcast.

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Steve Paulson: These are intimate conversations with scientists, poets, and philosophers.

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Steve Paulson: People looking for ways to add more meaning and substance to our lives, more wisdom.

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Anne Strainchamps: And more enchantment.

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Steve Paulson: Together, they are shaping a new story for our time.

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Sophie Strand: Your body is an ancestor.

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Sophie Strand: Your body is an altar to your ancestors.

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Sophie Strand: Every one of yourselves holds an ancient and anarchic love story.

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Sophie Strand: Every decision.

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Sophie Strand: Every idea.

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Sophie Strand: Every poem you breathe and live

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Sophie Strand: is a resurrection of elements that date back to the birth of this universe itself.

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Anne Strainchamps: Okay, that is the poet and writer Sophie Strand.

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Anne Strainchamps: And she's someone I only discovered recently.

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Anne Strainchamps: And I am knocked out by her work.

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Steve Paulson: Yeah, well, I have to say, you were obsessed with her this past summer.

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Steve Paulson: I mean, there were a few weeks when you really couldn't stop talking about her.

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Anne Strainchamps: Well, it wasn't just me.

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Anne Strainchamps: It was this summer where I could not stop hearing about Sophie Strand.

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Anne Strainchamps: And it was mostly from other women,

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Anne Strainchamps: this kind of very viral, organic, word-of-mouth thing.

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Anne Strainchamps: But the other thing is, this was the summer of the death of To the Best of Our Knowledge.

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Anne Strainchamps: It was both an end and a beginning.

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Steve Paulson: We were saying goodbye to this radio show, but it played out differently for each of us.

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Anne Strainchamps: Yeah, you didn't really want to hear that much about sadness. Yeah,

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Steve Paulson: I was kind of ready to move on.

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Anne Strainchamps: Meanwhile, I was crying, while recording our farewell show.

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Anne Strainchamps: But somehow in this time, Sophie Strand's writing just really resonated for me.

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Anne Strainchamps: She writes a lot about death in one way or another.

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Anne Strainchamps: She writes about processes of transformation and decomposition.

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Anne Strainchamps: And so her metaphors are all mushrooms and underground mycelial networks and spiderwebs and ghosts and dying gods.

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Anne Strainchamps: And somehow it just all fuses into this lyrical, interspecies kind of scripture.

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Steve Paulson: Okay, so I don't know that much about her.

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Steve Paulson: Who is Sophie Strand?

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Anne Strainchamps: She is a very young writer, 31 or 32.

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Anne Strainchamps: She writes a very popular Substack called Make Me Good Soil.

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Anne Strainchamps: She wrote a recent memoir called The Body is a Doorway.

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Steve Paulson: She seems too young to have written a memoir.

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Anne Strainchamps: Just wait.

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Anne Strainchamps: She goes back and forth between fiction and nonfiction.

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Anne Strainchamps: She has also written a historical novel about the relationship between Jesus and Mary Magdalene.

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Anne Strainchamps: It's deeply researched.

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Steve Paulson: Quite a range.

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Anne Strainchamps: Yeah.

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Anne Strainchamps: She's got this big mind and the scale of her thinking is kind of exhilarating.

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Anne Strainchamps: And she has a really interesting backstory, too.

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Anne Strainchamps: She grew up in the Hudson River Valley in the mountains in this very bookish, counterculture world of eclectic spirituality.

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Anne Strainchamps: And she also had a very free-range childhood.

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Anne Strainchamps: She writes about having lots of time outdoors in all seasons, barefoot, poking at frogs and salamanders.

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Anne Strainchamps: And then it all came crashing down.

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Anne Strainchamps: As a teenager, she was on a family trip in Jerusalem.

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Anne Strainchamps: And she suddenly collapsed and became debilitatingly sick.

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Anne Strainchamps: Like, couldn't eat, couldn't walk.

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Anne Strainchamps: And then had years when she was in and out of hospitals before finally being diagnosed with a genetic connective tissue disease.

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Anne Strainchamps: And her health still goes up and down.

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Steve Paulson: That's a huge amount to deal with.

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Steve Paulson: And, I mean, amazing considering all that she's done.

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Steve Paulson: But my sense from what you've said is that that's not the main thing that's drawn you to her.

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Anne Strainchamps: No.

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Anne Strainchamps: And, I mean, she did write about this whole story in The Body is a Doorway, that memoir.

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Anne Strainchamps: But she's actually not all that interested in talking about her own experience of illness.

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Anne Strainchamps: It's more that that experience led her to think pretty deeply about where our ideas of health and wellness come from.

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Anne Strainchamps: And then about ways of thinking about the body and what it means to be embodied.

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Steve Paulson: So, what are we going to hear?

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Anne Strainchamps: Well, this is a conversation that goes all over the place, which is what I love.

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Anne Strainchamps: But we began with a piece that she had just posted.

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Anne Strainchamps: I talked with her right around Halloween, depending on your spiritual background.

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Anne Strainchamps: All Hallows' Eve, Samhain, the Day of the Dead.

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Anne Strainchamps: And she was thinking about ancestors.

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Steve Paulson: Okay.

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Steve Paulson: Let's listen.

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Anne Strainchamps: All right.

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Wow.

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Anne Strainchamps: Sophie, I'm so excited to talk with you.

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Anne Strainchamps: I've been reading and loving your Substack and your work.

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Sophie Strand: Thank you so much.

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Yeah.

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Anne Strainchamps: Welcome to Wonder Cabinet.

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Anne Strainchamps: So, I wanted to start by asking you, on your Substack, you posted a piece not too long ago

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Anne Strainchamps: that I just keep thinking about.

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Anne Strainchamps: Like, I've been carrying this around in my head.

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Anne Strainchamps: So, I wanted to ask you to begin just by reading a section, if you would be up for that.

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Anne Strainchamps: And then maybe we can talk about it.

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Sophie Strand: Yeah, absolutely. Anne Strainchamps:.

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Sophie Strand: This is from the "Your Body is an Ancestor" piece.

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Sophie Strand: Your body is an ancestor.

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Sophie Strand: Your body is an altar to your ancestors.

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Sophie Strand: All you need to do to honor your ancestors is breathe in, slowly, knowing that your breath

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Sophie Strand: loops you into the biome of your ecosystem.

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Sophie Strand: Every seven to ten years, your cells will have turned over.

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Sophie Strand: If you live in a valley, chances are, the ancient glacial moraine, the fossils crushed underfoot,

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Sophie Strand: the spores from grandmotherly honey fungi, have all entered into and rebuilt the very

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Sophie Strand: molecular makeup of your bones, your lungs, and even your eyes.

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Sophie Strand: Even your lungfuls of exhaust churn you into an ancestor altar for Mesozoic ferns pressurized

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Sophie Strand: into the fossil fuels.

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Sophie Strand: You are threaded through with fossils.

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Sophie Strand: Your microbiome is an ode to bacterial legacies you would not be able to trace with birth certificates

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Sophie Strand: and blood lineages.

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Sophie Strand: You are the ongoingness of the dead, the alembic where they are given breath again.

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Sophie Strand: Today, I realize it is even possible that my body somehow holds the cells of my great-great-grandmother

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Sophie Strand: or your great-great-grandmother, or that I am built from carbon that once intimately orchestrated

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Sophie Strand: the flight of a hummingbird or a pterodactyl.

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Sophie Strand: Your body is an ecosystem of ancestors, a web of relations that ripples outwards into the

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Sophie Strand: intimate ocean of deep time.

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Anne Strainchamps: Oh, God, Sophie, that is so unbelievably gorgeous.

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Thank you.

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Anne Strainchamps: I remember the first time I read it, like that line, the image, "I am built from carbon that

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Anne Strainchamps: once intimately orchestrated the flight of a pterodactyl."

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Anne Strainchamps: There was a moment reading that, where I just stopped and looked up.

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Anne Strainchamps: I guess my eyes automatically went to the sky.

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Anne Strainchamps: And I just thought, it's more than that it evokes a sense of wonder.

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Anne Strainchamps: There is something explosive about that, I think.

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Anne Strainchamps: Where does that sense of explosiveness come from?

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Sophie Strand: I think that we are so blinkered by anthropocentrism and by a very short view of a single human life

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Sophie Strand: that we forget that we are part of a stream of evolutionary becoming, whereby every piece

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Sophie Strand: of matter has been used, decayed, recycled many, many times.

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Sophie Strand: I often times like to tell people that I believe in reincarnation, not metaphysically, but materially,

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Sophie Strand: that nothing is ever lost or squandered.

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Sophie Strand: Everything is used to build everything again.

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Sophie Strand: The metaphor I like to use is about the monarch butterflies.

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Sophie Strand: I love monarch butterflies.

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Sophie Strand: In fact, I'm going to be one for Halloween this year.

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Sophie Strand: It's so important to me that we focus on trying to rebuild their populations

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Sophie Strand: in the Hudson Valley and we protect them.

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Sophie Strand: We stop spraying glyphosate.

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Sophie Strand: We don't mow down our fields of milkweed and weeds where they will build their cocoons

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Sophie Strand: and feed themselves and stop on their long migratory process.

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Sophie Strand: And for me, monarchs really queer our idea of a single self and generations.

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Sophie Strand: Something that I think about also is the Haudenosaunee confederacy, the indigenous confederacy

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Sophie Strand: that predates colonialism here.

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Sophie Strand: This idea that every decision you make as a community, you have to think

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Sophie Strand: like seven generations ahead, that you really have to think beyond your own lifetime.

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Sophie Strand: So those monarchs for me are this great, more-than-human realization of the Haudenosaunee's

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Sophie Strand: idea of making decisions for more than one generation, because when they migrate down

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Sophie Strand: to the South every winter, it takes five different generations.

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Sophie Strand: The butterfly that starts the journey is not the butterfly that ends it.

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Sophie Strand: And I think about what does it mean to start a journey knowing that you are not going to

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Sophie Strand: see the end of it?

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Sophie Strand: You are not the destination.

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Sophie Strand: You don't get to see the ending, but you can participate.

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Anne Strainchamps: And I do think this is a worldview that, if we're going to use language of reincarnation,

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Anne Strainchamps: that is cycling around and coming back.

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Anne Strainchamps: We are all, I think, learning to be more responsible about the way we treat

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Anne Strainchamps: the earth, the waste that we cause.

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Anne Strainchamps: Usually, I think those realizations come with, for me at least, a fair amount of guilt.

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Anne Strainchamps: And I don't think that I'm alone.

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Anne Strainchamps: I mean, you've written a lot about the religious roots of so many of our attitudes.

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Anne Strainchamps: It seems to me that one of the challenges facing us today is to hold on to the sense

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Anne Strainchamps: of wonder and not slip into this feeling of being sinful, guilty.

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Sophie Strand: Yeah.

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Sophie Strand: I think something very interesting is, so I wrote a historical fiction novel about Second

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Sophie Strand: Temple Period Palestine and about all of the different types of Jewish traditions at the

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Sophie Strand: time of Roman imperialism.

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Anne Strainchamps: The Madonna Secret.

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Sophie Strand: Yeah.

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Sophie Strand: And in it, I was very interested in the Aramaic and Jewish roots of the idea of sin.

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Sophie Strand: So the idea of sin has really been mistranslated from Aramaic to Greek through different cultures.

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Sophie Strand: It actually carried a lot less moral baggage originally.

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Sophie Strand: The word meant to miss the mark or debt.

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Sophie Strand: And so sin was a way, actually, of attuning to your relationships, attuning to the

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Sophie Strand: ways that you were affecting other beings.

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Anne Strainchamps: Really?

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Anne Strainchamps: It wasn't part of this idea that we're fallen, where our nature is sinful?

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Sophie Strand: Well, this becomes, with Augustine, you have a progression of Gentile Roman people misinterpreting

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Sophie Strand: the idea of sin over many, many successive generations as Christianity becomes

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Sophie Strand: codified outside of its original culture.

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Sophie Strand: But sin is a more complicated, more nuanced term in Aramaic.

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Sophie Strand: And so in the original folk traditions of Northern Galilee, where we can place Jesus, it had a much

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Sophie Strand: looser understanding.

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Sophie Strand: But sin has become something that paralyzes us.

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Sophie Strand: I think for me, sin is more of a verb of attunement in its original Aramaic sense, which is, well,

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Sophie Strand: if I'm out of right relationship, if there's a debt, if I've eaten the berries and I've accepted

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Sophie Strand: the gifts of the land, how do I keep feeding the land so that that relationship is constantly

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Sophie Strand: rebalancing?

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Anne Strainchamps: It's more complicated even than that, though, because what goes along with the idea

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Anne Strainchamps: of sin is the idea of, well, at least I'm thinking about St. Augustine, the

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Anne Strainchamps: idea of the body itself.

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Sophie Strand: Yeah.

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Anne Strainchamps: And especially women's bodies, as being somehow dirty, impure.

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Anne Strainchamps: And the opposite of where we want to go, which is, I don't know, up in the sky, to a

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Anne Strainchamps: purer, better kind of state. Absolutely.

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Sophie Strand: I mean, I've written a lot about the history of monotheism and empire.

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Sophie Strand: I don't have any answers, but I'm very curious about how you see the schism of mind

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Sophie Strand: and matter, purity and impurity, humans and nature, men and women.

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Sophie Strand: And you see these value dualisms emerge post-Bronze Age collapse.

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Sophie Strand: So before that, in the Mediterranean basin and Europe, you see much more earth-reverent,

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Sophie Strand: partnership-based cultures.

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Sophie Strand: Rianne Eisler, who's one of my favorite scholars of these early states, says—

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Anne Strainchamps: Oh, I remember.

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Anne Strainchamps: She wrote The Chalice and the Blade, right?

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Anne Strainchamps: Early feminist, kind of archaeological, let's go back and look at the earth goddesses and

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Anne Strainchamps: the divine feminine.

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Sophie Strand: Yeah, and she writes that what a culture doesn't depict in its art is even more important than

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Sophie Strand: what it does depict.

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Sophie Strand: And one thing that's so interesting about many of the early Mediterranean states and cultures,

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Sophie Strand: and I'm thinking of Cabal Hayek, Mohenjo-Daro, these early states, they don't depict violence,

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Sophie Strand: they don't depict murder.

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Sophie Strand: And I'm curious about this period of time of collapse in the Mediterranean basin

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Sophie Strand: where there were droughts, famine, plagues, genocide, mass exodus of

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Sophie Strand: people.

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Sophie Strand: And after this mass cultural traumatic event, you see a schism between mind and matter, men

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Sophie Strand: and women, humans and nature, and purity and impurity.

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Sophie Strand: That the body where you can suffer — from plague, from dislocation, from

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Sophie Strand: battles — is unsafe and impure.

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Sophie Strand: And that there's some other place that's safer, that's abstract, that's in the sky.

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So I'm curious...

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Anne Strainchamps: Well, are you suggesting that in some ways, we are all survivors of this civilizational

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Anne Strainchamps: collapse, and we are carrying the memory of this trauma?

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Sophie Strand: Yeah, I mean, I do think

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Sophie Strand: so. Our cultures are stories.

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Sophie Strand: So I think it's important to understand how these collapses may have inspired certain

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Sophie Strand: kinds of narrative survival mechanisms that made sense in the moment, but are perhaps obsolete

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Sophie Strand: now.

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Anne Strainchamps: Play that out a little bit.

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Anne Strainchamps: What's the narrative that you think that we are subconsciously holding on to?

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Anne Strainchamps: And in what way would that have been a refuge from or a response to trauma?

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Sophie Strand: Well, as a survivor of violence in my own life, I know that one of the ways that you

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Sophie Strand: survive insurmountable violence is you dissociate, that you leave your body.

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Sophie Strand: And it can protect you from psychologically breaking.

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Sophie Strand: But that dissociation, when it is carried out over a long period of time in a personal life,

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Sophie Strand: can mean that you're not paying attention to your body.

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Sophie Strand: So I see a period of time where people experience natural disasters, drought, dislocation, plagues,

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Sophie Strand: a lot of things that are deeply traumatic and that make you hyper aware of how fragile the

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Sophie Strand: body is.

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Anne Strainchamps: Right.

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Sophie Strand: And that maybe your God isn't going to save you.

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Anne Strainchamps: Or that the earth is going to kill you.

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Sophie Strand: Or that your neighbor is going to kill you.

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Sophie Strand: And so for me, I'm interested in what happens when a culture dissociates, when it goes into

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Sophie Strand: its head and leaves behind its body, is really seeded with this base separation between mind

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Sophie Strand: and matter and good and evil.

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Sophie Strand: Another thing I will say is that when we are in situations that are very threatening,

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Sophie Strand: we seek to simplify them so that we know where is safe.

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Sophie Strand: So we simplify everything into binaries.

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Sophie Strand: We live in a highly binaristic culture.

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Sophie Strand: It does not have a high threshold for ambiguity and complexity.

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Sophie Strand: And especially when we're stressed, it gets worse, as we're seeing right now with

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Sophie Strand: the American political landscape.

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Anne Strainchamps: Absolutely.

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Sophie Strand: And you add in a pandemic, you add in COVID, you add in the onslaught of information and

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Sophie Strand: misinformation online that our neurobiology is not built to accommodate.

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Sophie Strand: Yeah, of course, our very organisms are overwhelmed.

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Sophie Strand: And so we seek ways of simplifying our environment so that we can feel safe.

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Sophie Strand: So I have a lot of compassion for survival mechanisms.

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Sophie Strand: And I also think that we have to be conscious of the ways in which they can inspire our worst

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Sophie Strand: behavior.

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Anne Strainchamps: Yeah.

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Anne Strainchamps: Going back to the idea that when your body feels too much pain,

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Anne Strainchamps: and your psyche feels too much pain, body and psyche, when it's more than you can handle,

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Anne Strainchamps: we leave. We leave the body and live up in our minds and our heads.

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Anne Strainchamps: And so you can look at where we are culturally today.

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Anne Strainchamps: And, I mean, I don't want to pathologize the entire development of Western science and

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Anne Strainchamps: enlightenment thought, but there is a strand of that.

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Anne Strainchamps: And so that's why I said, going back to where we began with that

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Anne Strainchamps: piece that you wrote, and I said it felt explosive.

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Anne Strainchamps: That's what I feel like you are implicitly exploding all the time.

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Anne Strainchamps: The idea that we are a singular self or that decay, rot, the body, that these are things to flee from.

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Anne Strainchamps: You keep taking us back into earth, the body, decay.

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Anne Strainchamps: Exactly the opposite of where our culture tells us to look for wonder.

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Anne Strainchamps: Sorry, that's a very large statement to get you to react to, but that's kind of what I see happening over and over,

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Anne Strainchamps: the movement I see over and over again in your work.

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Sophie Strand: Thank you.

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Sophie Strand: Yeah.

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Sophie Strand: I mean, I always say I want to stitch ascent back to descent.

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Sophie Strand: I'm much more interested in cycles.

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Sophie Strand: One metaphor I've used in my book about myths, The Flowering Wand, is mushrooms send out millions of spores.

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Sophie Strand: And we now know through modern science that these mushrooms sprout up from underground mycorrhizal systems.

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Sophie Strand: So filamentous, lace-like fungi in the soil that connect plants, bacterial colonies, and trees.

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Sophie Strand: They send up their fruiting bodies, these mushrooms, that then sporulate millions of spores.

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Sophie Strand: And the wildest thing is that these spores cloud seed.

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Sophie Strand: There are so many millions of tons of spores in the air that they act as the nucleus of water droplets.

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Sophie Strand: And then they actually create cloud systems and thus rain.

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Anne Strainchamps: Wait, wait, wait.

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Anne Strainchamps: The spores of the mushrooms create clouds?

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Sophie Strand: Yeah.

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Anne Strainchamps: Create weather?

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Sophie Strand: Create weather.

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Sophie Strand: And so for me, spore gods or storm gods are rock gods.

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Sophie Strand: It's a way of tying all of these movements together.

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Anne Strainchamps: I mean, somehow this is also reminding me, we were talking about monarchs,

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Anne Strainchamps: but you wrote about the cocoons and the way the caterpillar melts and becomes a butterfly.

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Sophie Strand: Oh, yeah.

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Sophie Strand: I'm very interested in consciousness studies.

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Anne Strainchamps: You have to talk to my husband, Steve.

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Anne Strainchamps: That's his whole thing.

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Sophie Strand: It's so fascinating.

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Sophie Strand: And a lot of my scientist friends are saying that we're on the edge of what they call a Copernican shift.

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Anne Strainchamps: Really?

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Sophie Strand: Which is like our ideas about consciousness are about to change so radically that it will feel that big.

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Sophie Strand: Some of my favorite thinkers are beginning to say that brains and thinking have been conflated, but they're not the same thing.

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Sophie Strand: And you brought up the butterfly, which is this great problematization of the idea that thinking or memories are stored in the brain.

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Sophie Strand: So you have caterpillars.

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Sophie Strand: Caterpillars are eating leaves, getting fat, getting ready.

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Sophie Strand: Then they create a cocoon.

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Sophie Strand: There's this hormone that gets stimulated.

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Sophie Strand: I think it's called ectosine.

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Sophie Strand: And they basically begin to melt.

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Sophie Strand: And I always wonder, what does that feel like to a caterpillar?

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Sophie Strand: It probably feels like dying.

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Sophie Strand: And their brain liquefies.

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Sophie Strand: That's the craziest thing.

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Sophie Strand: Their brain liquefies.

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Sophie Strand: And there are numerous studies of moths and butterflies.

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Sophie Strand: And it's so fascinating that butterflies have the same memories as they did when they were caterpillars, even though their brains have been liquefied and rearticulated.

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Anne Strainchamps: How is that possible?

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Sophie Strand: They'll remember the leaves that they originally ate and go back to the same leaves and the same plants.

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Sophie Strand: They did a study where I think they shocked —

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Sophie Strand: I hate studies like this, by the way —

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Sophie Strand: but they hurt the caterpillars when they exposed them to a certain smell.

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Sophie Strand: And the butterflies remembered to associate that smell.

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Anne Strainchamps: Stay away from that smell.

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Sophie Strand: Yeah.

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Anne Strainchamps: In that case, where

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Anne Strainchamps: are the memories?

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Sophie Strand: What are the memories?

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Sophie Strand: And for me, that's where my wonder is.

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Sophie Strand: My wonder is in the questions we can live inside rather than answer immediately.

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Anne Strainchamps: Yeah.

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Anne Strainchamps: This journey, it's been personal for you, right?

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Anne Strainchamps: I mean, you got really sick in your teens.

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Anne Strainchamps: Maybe you can just tell a little bit of that story.

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Sophie Strand: Sure.

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Yeah.

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Yeah.

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Sophie Strand: At the age of 16, I went from being a very athletic, very physically fit young woman to being so radically ill that I was in and out of the hospital overnight.

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Sophie Strand: And it took many, many years of misdiagnosis, mistreatment, and really degenerating health to finally get a diagnosis of genetic connective tissue disease.

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Anne Strainchamps: Ehlers-Danlos syndrome.

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Sophie Strand: Yeah.

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Yeah.

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Sophie Strand: And many other co-morbidities.

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Yeah.

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Sophie Strand: And then some other autoimmune things.

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Anne Strainchamps: Like what you can eat is pretty limited, as I recall.

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Sophie Strand: Yeah.

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Sophie Strand: I have mast cell disease, and Ehlers-Danlos predisposes you to gastroparesis and autoimmunity and many gastrointestinal metabolic issues.

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Anne Strainchamps: So,

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Yeah.

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Anne Strainchamps: I mean, reading your memoir, you've come close to death many times.

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Sophie Strand: I have indeed.

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Anne Strainchamps: You've gone into anaphylactic shock, I don't know how many times, been revived, and I don't know how many ambulances.

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Yeah.

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Sophie Strand: Yeah.

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Anne Strainchamps: So, first, I want to just pause there and just say you're about the age of my own daughter, and I could not read any of that without reacting as a mother.

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Anne Strainchamps: I began thinking about your own mother, wondering how the hell she handled any of those.

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Sophie Strand: I know.

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Sophie Strand: I mean, I think about what it's like to have a sick child.

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Sophie Strand: I've had friends who've had children die, and I think of my own parents and how terrifying it was for them, especially when they realized, the meaning of our for-profit health care and COVID has completely destabilized the way people can access health care in America.

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Sophie Strand: It's a mess and expensive and complicated.

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Anne Strainchamps: I think it's really hard for my generation, looking around and seeing so many people our children's age and younger are sick.

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Yeah.

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Anne Strainchamps: They're getting earlier cancers.

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Anne Strainchamps: They're getting autoimmune diseases.

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Anne Strainchamps: It's hard.

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Anne Strainchamps: I don't know whether this is true or not, but in my head, it's impossible not to conflate — oh, the earth is sick, and so are the young people.

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Sophie Strand: Yeah, I mean, very scientifically and practically, there are all these boundaries that if you violate them, we can't actually predict how the earth will rebalance.

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Sophie Strand: And one of them are called novel particles — creating chemicals and novel particles and introducing them into the chaos of earth systems without knowing how they might cascade into feedback loops and change how things work.

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Sophie Strand: And we have well exceeded the amount of novel particles and molecules we have introduced into our ecosystems in the past couple of years.

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Sophie Strand: We're in an experiment right now, biologically, with plastics, with all of these things.

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Sophie Strand: We don't know what the long-term effects are.

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Sophie Strand: I'm not surprised that we are sick.

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Sophie Strand: We have really created a very interesting soup.

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Anne Strainchamps: Well, so where I was going with that, I think, is kind of thinking we need new myths, right?

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Anne Strainchamps: The old mythic structures that we were talking about, they're just kind of part of the problem.

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Anne Strainchamps: And it seems to me that you're interested in both myth and the ecological language of science and bringing those things together, like your image of the hermit crabs.

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Sophie Strand: Yeah.

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Anne Strainchamps: Lining up on the sand to exchange—

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Sophie Strand: Shells.

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Anne Strainchamps: Helping each other.

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Sophie Strand: Yeah.

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Sophie Strand: I do love that metaphor of the hermit crabs.

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Sophie Strand: And for people who are listening who don't know it — hermit crabs don't grow their own shells.

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Sophie Strand: They steal them or they borrow them.

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Sophie Strand: They find them and they eventually outgrow them.

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Sophie Strand: And so what they do is they'll find a new shell and it probably is not the right size, but they'll exit their old shell and wait next to the new shell.

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Sophie Strand: And slowly over time, a bunch of hermit crabs will coalesce into a gathering and then they'll all exchange shells so that every single one finds the right sized shell.

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Sophie Strand: I love that because it's about communal storytelling and how the only way to compost these older toxic paradigms is together.

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Sophie Strand: We can't do it alone.

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Sophie Strand: Learning to listen and to dialogue with beings and people who are different than us is a really important part of whatever comes next.

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Anne Strainchamps: I want to pause on that image of hermit crabs lined up together on the beach.

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Anne Strainchamps: This is Wonder Cabinet.

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Thank you.

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Hey, it's Steve.

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I want to invite you to visit our Wonder Cabinet website,

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where you will find more information about the show and Anne and me.

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And I really hope you'll subscribe to our newsletter.

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We'll tell you the story behind the name of this podcast

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and some of the amazing guests we'll be talking with in future episodes.

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You can find us at wondercabinetproductions.com.

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And please, tell your friends about Wonder Cabinet.

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This is a brand new podcast, and we'd love your help in getting the word out.

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Anne Strainchamps: I'm Anne Strainchamps, talking with writer Sophie Strand, and I want to pick up on that

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Anne Strainchamps: idea of communal storytelling. What does that look like for you in practice?

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Sophie Strand: Well, in practice, it means I have been hosting on and off for years potluck events. Sometimes

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Sophie Strand: they're clothing swaps, sometimes they're just meal sharing. And usually a lot of people show

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Sophie Strand: up locally, people invite other people, friends of friends, you share food, you light candles.

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Sophie Strand: And then I always invite people to share a story from their life that in telling it threatens to

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Sophie Strand: make them look insane, or whatever word you want to use. It threatens their credibility.

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Sophie Strand: So tell a ghost story, tell a weird, spooky story, something you can't explain. And the incredible

402
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Sophie Strand: thing about it is you can have people from many different generations, many different walks of

403
00:28:49,660 --> 00:28:56,360
Sophie Strand: life. And if you get them laughing, eating food together, sitting on the ground, trying on each

404
00:28:56,360 --> 00:29:01,680
Sophie Strand: other's old ratty sweaters, you get them into this kind of intimacy, and then you turn off the

405
00:29:01,680 --> 00:29:06,560
Sophie Strand: lights and you light candles, and you ask people to share stories that they don't understand,

406
00:29:07,300 --> 00:29:13,420
Sophie Strand: really amazing transformation starts to happen. People start opening up and sharing things

407
00:29:13,420 --> 00:29:18,100
Sophie Strand: that are outside our modern framework of how we know things.

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Anne Strainchamps: Let's do it now.

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Sophie Strand: Totally.

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Anne Strainchamps: What's a story, something that's happened to you that you can't explain?

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Sophie Strand: Absolutely. One of my favorite stories that I sometimes tell is — me and my friend

412
00:29:33,760 --> 00:29:43,120
Sophie Strand: Nora lived during the summers between college in a tiny little upstate town that was nearer to a much

413
00:29:43,120 --> 00:29:48,580
Sophie Strand: bougier town with lots of fancy restaurants. So occasionally we would treat ourselves, we would

414
00:29:48,580 --> 00:29:55,900
Sophie Strand: drive from our tiny little town over to this much fancier town to go out for dinner. So we finished

415
00:29:55,900 --> 00:30:02,620
Sophie Strand: our work, we drove over there, we had done the drive many, many times. And we ate dinner,

416
00:30:02,620 --> 00:30:10,520
Sophie Strand: we were totally sober. It was dark, but early. And we started to drive back. The drive should have

417
00:30:10,520 --> 00:30:16,700
Sophie Strand: taken 15 minutes, we'd done it many times. And suddenly, we were out of service. Our phones

418
00:30:16,700 --> 00:30:23,080
Sophie Strand: weren't working. And suddenly the clock on the car wasn't working. And we were driving through farm

419
00:30:23,080 --> 00:30:29,640
Sophie Strand: field after farm field. And we had no idea where we were, we were totally lost. So we kept driving.

420
00:30:29,640 --> 00:30:33,960
Sophie Strand: And I said, Nora, I have to pee really badly. Will you pull over so I can pee on the side of the road?

421
00:30:34,040 --> 00:30:39,080
Sophie Strand: She was like, no, we're not stopping the car, which is amazing, because she was beginning to feel like

422
00:30:39,080 --> 00:30:44,740
Sophie Strand: something really intense was happening. So the distance between Rhinebeck and Tivoli is very short.

423
00:30:45,220 --> 00:30:51,840
Sophie Strand: But we were driving for a long time. And we had no street signs, no markers that we recognized,

424
00:30:52,160 --> 00:30:57,740
Sophie Strand: nothing. And then all of a sudden, a giant owl flew down in the road in front of her car,

425
00:30:57,740 --> 00:31:04,240
Sophie Strand: causing her to slam on the brakes. And we screamed. And then the owl put out its wings,

426
00:31:05,000 --> 00:31:11,760
Sophie Strand: looked at us and flew off. And then our phones got service. And the clock started to work again.

427
00:31:11,760 --> 00:31:16,820
Sophie Strand: And suddenly we kept driving. And there was a street sign. And we were five minutes from Rhinebeck.

428
00:31:17,220 --> 00:31:22,820
Sophie Strand: And we'd been driving for a long time. And we were both so spooked that we actually

429
00:31:22,820 --> 00:31:28,720
Sophie Strand: parked the car, got out of the car. We had no way of making sense of what

430
00:31:28,720 --> 00:31:33,600
Sophie Strand: had happened. What I now know is, this is the area where Rip Van Winkle was written. And it was

431
00:31:33,600 --> 00:31:38,380
Sophie Strand: written because this is an area where there's a deep folkloric tradition of something called time

432
00:31:38,380 --> 00:31:46,500
Sophie Strand: loops. People will report getting stuck in loops where you don't know where you are. Time moves at a

433
00:31:46,500 --> 00:31:50,280
Sophie Strand: different pace. And then you get out of it. And you can't quite make sense of what happened.

434
00:31:50,280 --> 00:31:59,040
Sophie Strand: The beautiful thing about these stories is I hold them lightly, which is if there happens to

435
00:31:59,040 --> 00:32:04,500
Sophie Strand: be an explanation that does describe it, I'll accept it. I want to be able to update my understanding.

436
00:32:04,940 --> 00:32:10,260
Sophie Strand: But I also don't want to rush to a bad description of what happened, just because I need an answer.

437
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Anne Strainchamps: So when I said, let's share one of these stories.

438
00:32:14,400 --> 00:32:20,920
Anne Strainchamps: And then I thought, oh, shit, I don't have any. And then I started thinking, what the hell is

439
00:32:20,920 --> 00:32:26,780
Anne Strainchamps: wrong with me that I don't have any? I'm sure you do. So here's the thing, I probably do,

440
00:32:26,880 --> 00:32:32,200
Sophie Strand: but I guess I've repressed them. You're not the only person. At these gatherings, this is what happens

441
00:32:32,200 --> 00:32:38,240
Sophie Strand: without fail. And I've done this dozens of times. There will be two people who are certain and have

442
00:32:38,240 --> 00:32:42,900
Sophie Strand: very intense stories who break the ice, and everyone else will say, I don't have any stories.

443
00:32:43,800 --> 00:32:49,640
Sophie Strand: And then as everyone begins to listen, they're like, I've never told anyone this. And I haven't

444
00:32:49,640 --> 00:32:55,940
Sophie Strand: thought about it in 15 years. But I haven't told this.

445
00:32:55,940 --> 00:33:03,060
Sophie Strand: I haven't even thought about it. But it's a relational communal thing. When we live in a culture

446
00:33:03,060 --> 00:33:09,100
Sophie Strand: that tells us to deny other ways of knowing, and mocks us and tells us that these things are

447
00:33:09,100 --> 00:33:15,780
Sophie Strand: not real, it's very hard to hold them in our own bodies and our own psyches. I will also

448
00:33:15,780 --> 00:33:24,920
Sophie Strand: say that it is a pretty recent, modern veneer of culture that doesn't believe in ancestors, that

449
00:33:24,920 --> 00:33:30,660
Sophie Strand: doesn't believe that we can be contacted by the dead, that the trees can speak. But I do think that our

450
00:33:30,660 --> 00:33:37,480
Sophie Strand: culture has been so good at making us feel scared about even acknowledging these stories to

451
00:33:37,480 --> 00:33:45,240
Anne Strainchamps: ourselves. I mean, this is why I read fantasy. And in certain moods, magic and fantasy can feel

452
00:33:45,240 --> 00:33:51,520
Anne Strainchamps: like medicine, like the best medicine or vitamins that you need when you feel like you've been sucked

453
00:33:51,520 --> 00:34:00,200
Anne Strainchamps: dry by the culture that we live in. You can kind of just feel it in some ways, what makes

454
00:34:00,200 --> 00:34:07,960
Anne Strainchamps: you feel better. And if for me, it's the story of some children who wander through the back of a

455
00:34:07,960 --> 00:34:16,060
Anne Strainchamps: cupboard and find themselves in another magical landscape, or a young woman who's starving in a

456
00:34:16,060 --> 00:34:26,680
Anne Strainchamps: forest and shoots a wolf who turns out to be fey.. An avatar. I love that reference. Amazing.

457
00:34:26,680 --> 00:34:32,540
Anne Strainchamps: So what I'm trying to figure out is how do I go from thinking it's okay for magic to live inside the

458
00:34:32,540 --> 00:34:39,780
Anne Strainchamps: covers of a book, but I don't know how to feel like I'm walking around inside a magical

459
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Sophie Strand: world. Well, for me, science is my magic, to be perfectly honest. Yes, I have weird stories. But

460
00:34:46,620 --> 00:34:53,160
Sophie Strand: the thing that's most magical is the monarch butterflies. I actually find the most magic in reading

461
00:34:53,160 --> 00:35:00,340
Sophie Strand: scientific papers, findings about the sensory worlds of mantis shrimps that see colors

462
00:35:00,340 --> 00:35:05,400
Sophie Strand: we can't even imagine. I just kind of bring that up because I do think there are different ways of

463
00:35:05,400 --> 00:35:10,220
Sophie Strand: knowing than we allow within our material reductionist world. There are different ways of knowing. People

464
00:35:10,220 --> 00:35:16,000
Sophie Strand: experience their ancestors talking to them. People have dreams that give them advice. We can begin to weave

465
00:35:16,000 --> 00:35:22,560
Sophie Strand: those back in. But for me, my access point is my relationship to plants and animals and reading

466
00:35:22,560 --> 00:35:29,220
Sophie Strand: about them and learning about them and thinking about the just pure synchronicity and magic that we

467
00:35:29,220 --> 00:35:34,720
Sophie Strand: are all here at once, that we all evolved to do these things. That to me is deeply magical.

468
00:35:35,920 --> 00:35:40,740
Anne Strainchamps: You're reminding me, Steve and I chose the name Wonder Cabinet for this new podcast.

469
00:35:40,740 --> 00:35:48,980
Anne Strainchamps: It's great. Thanks. Well, so the original Wonder Cabinets were created by wealthy collectors

470
00:35:48,980 --> 00:35:54,320
Anne Strainchamps: beginning in the 16th century, 16th until 18th century. And it was really this period of time

471
00:35:54,320 --> 00:36:01,120
Anne Strainchamps: when there was an older magical worldview coinciding with the birth of the age of science. And so you

472
00:36:01,120 --> 00:36:11,940
Anne Strainchamps: get people collecting preserved skeletons and fossils and rare minerals and magical objects that they

473
00:36:11,940 --> 00:36:18,740
Anne Strainchamps: thought were unicorn horns or the philosopher's stone that would turn anything into gold. And all these

474
00:36:18,740 --> 00:36:26,940
Anne Strainchamps: things coexisted. Science and a magical worldview were not opposites. And so maybe that's what you're

475
00:36:26,940 --> 00:36:35,640
Anne Strainchamps: saying, I mean, at some level, that's why I think our larger project is essentially a

476
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Sophie Strand: Wonder Cabinet for the modern age. I love that idea. That's amazing. I mean, we forget that Newton,

477
00:36:42,260 --> 00:36:49,540
Sophie Strand: that most of the big heavy-hitting scientists, were alchemists. They were

478
00:36:49,540 --> 00:36:56,840
Sophie Strand: dabbling in something we think of as being wizardry now. And magic isn't about something being like

479
00:36:56,840 --> 00:37:02,500
Sophie Strand: from fairy. It's more about the wonder and the edges of our understanding. I mean, quantum

480
00:37:02,500 --> 00:37:09,100
Sophie Strand: physics is very magical in that. Oh, absolutely. That things are much more verbs than they are

481
00:37:09,100 --> 00:37:14,520
Sophie Strand: objects, much more becoming than they are foreclosed. And that's exciting to me.

482
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Anne Strainchamps: One of the very next interviews we'll be airing is a conversation Steve had with Carlo Revelli,

483
00:37:19,680 --> 00:37:24,780
Anne Strainchamps: the discoverer of black holes, who says pretty much exactly what you just said.

484
00:37:24,780 --> 00:37:30,680
Anne Strainchamps: Talks about how all of us are constantly becoming. And so why would we be afraid of

485
00:37:30,680 --> 00:37:35,060
Sophie Strand: death? It's just another step in a long dance.

486
00:37:35,320 --> 00:37:41,520
Sophie Strand: You know, just one monarch in a migratory circle. I think about that with myself also as I've had to

487
00:37:41,520 --> 00:37:49,720
Sophie Strand: really confront mortality in a fairly real way. And I think about, okay, maybe I'm not going to

488
00:37:49,720 --> 00:37:56,760
Sophie Strand: finish all my projects or finish all my books in time, quote unquote. But can I weave myself in where

489
00:37:56,760 --> 00:38:02,240
Sophie Strand: I create enough nourishment, I make enough good soil that something can grow from my unfinished

490
00:38:02,240 --> 00:38:07,840
Anne Strainchamps: projects? Yeah. That's the beautiful title of your Substack, "Make Me Good Soil."

491
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Sophie Strand: Thank you.

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Anne Strainchamps: Sophie Strand is a poet and writer and author of a memoir called "The Body is a Doorway."

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Steve Paulson: I'm Anne Strainchamps. And I'm Steve Paulson. And this is Wonder Cabinet.

494
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Anne Strainchamps: And by the way, that conversation with Carlo Rovelli that we just mentioned,

495
00:38:24,640 --> 00:38:28,200
Anne Strainchamps: that is in our next episode on the beauty of physics. Carlo Rovelli:

496
00:38:28,760 --> 00:38:36,260
Anne Strainchamps: At that precise moment, I fell in love with physics. It was madly falling in love with physics.

497
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Anne Strainchamps: Quantum mechanics and general relativity are the most beautiful human creations.

498
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Anne Strainchamps: I mean, there's this curving of space, stretching on time. It's better than LSD.

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Anne Strainchamps: I hope you'll join us.

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Steve Paulson: Wonder Cabinet's audio engineer is Steve Gotcher, theme music by Joe Hartke.

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Anne Strainchamps: Send questions and comments and sign up for our newsletter at wondercabinetproductions.com.

502
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Anne Strainchamps: See you next time.

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Bye.

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Bye.

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Bye.

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Bye.

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Bye.

